The Golden Line installation addresses the manipulative power of language in Austrian tabloid newspapers. The front pages of two prominent publishing houses are covered with a golden layer that draws the eye solely to the striking catchwords: death, killer, murderer, alarm, danger. The sequence of numerous such edited newspapers creates an abstract, almost ornamental pattern that reveals a recurring dramaturgy. The golden concealment functions as a symbol of seduction and value, while the visualization of the main titles exposes the emotionalizing rhetoric.